Review: An Iliad (Sydney Theatre Company)
This masterclass in storytelling taps theatre's ancient roots in the bardic tradition to stirring effect.
This masterclass in storytelling taps theatre's ancient roots in the bardic tradition to stirring effect.
Proof (were it needed) that the promise of nudity always boosts traffic.
Next year's 13 titles include three world premieres, two Pulitzer Prize winners and Miranda Otto's first STC appearance in 14 years.
Steve Martin and Edie Brickell's bluegrass musical is a heart-on-sleeve winner with everyone on stage a quadruple threat.
Damian Ryan and Sport for Jove create a stirring, binge-worthy epic from the plays of Shakespeare's history cycle.
Sydney Shakespeare specialists Sport for Jove add some modern classics to the mix.
The Producers, Pirates of Penzance for a cast of four, a Phar Lap musical, a new show for Nancye Hayes; the Hayes promises a wild ride in 2025.
Playwright Esther Vilar spins the chivalric romance of Tristan and Isolde into a provocative, playful drama of colonisation and resistance.
Birthed as a COVID-era film project, Damien Ryan's Venus & Adonis truly finds its feet on the stage.
Ahead of his staging of Venus & Adonis, director Damien Ryan explores the influence of a remarkable talent on William Shakespeare.
Debra Oswald’s comedy drama about the ugly side of an artistic temperament given a fresh spin in an expertly judged production.
Damien Ryan’s As You Like It is a wonderfully absurd and entertaining night of Shakespeare, including new original music.
Without the First Folio, we wouldn't have Shakespeare as we know him, Freud's Oedipus complex and Marx's Theory of Capitalism.