In part one of this two-part feature, we hear from Torben Brookman, Sarah Brightman and Dane Lam about the opportunities and challenges they see in the huge and fast-evolving Chinese market for music and theatre.
Log in to read the flipbook version of Limelight's August 2025 magazine.
State Opera South Australia’s Artistic Director Dane Lam tells us why audiences should expect a thrilling joyride when The Magic Flute arrives in Adelaide.
Celebrating 250 issues of Limelight, your go-to magazine for big ideas, bold music and the best live performance nationwide.
Celebrating 250 issues of Limelight, your go-to magazine for big ideas, bold music and the best live performance nationwide.
Dane Lam forges international collaborations with a multiverse Magic Flute and a brand new Roméo et Juliette.
Director Laura Hansford and star Emma Pearson talk to Limelight about making a Lucia di Lammermoor for the 21st century while honouring its history.
Played for laughs, this modern production for modern times bubbles like a bottle of Prosecco.
The number of Australians with their sights set on an international conducting career hasn’t changed, but their success rate is down. Why?
There's a tendency to handle Mozart with kid gloves, says State Opera South Australia's Dane Lam, "But he could be a very dirty man!"
This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.
A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.
A round-up of our recent news reports.
