This presentation of a neglected masterpiece in an abridged version by Joseph Nolan proved welcome and accomplished, but it undercut the work’s complexity and didn't always do justice to Handel’s genius.
Celebrating his 20th year as Artistic & Music Director, Brett Weymark has put together a program that focuses on voice, energy and joy, and features popular favourites along with new commissions by First Nations and Australian composers.
Under the heroic musical direction of Sam Weller, this unveiling of the cathedral-like Dangrove Art Storage Facility in Alexandria was a Verdi spectacular in every sense of the word.
Conductor Asher Fisch led more like a general heedless of his own safety in this magnificent reading of one of the 20th century’s most profound compositions.
Despite a few odd choices in the program, this concert showed that there is always more to discover about the Bachs – even for an ensemble as steeped in them as the ACO.
Pinchgut’s sumptuous production of Orontea – with its quartet of feisty females – is sparkling entertainment.
The first TCMF since 2019 features some of Australia's best musicians performing masterpieces by the likes of JS Bach and Liszt, as well as a decent helping of contemporary works.
Joseph Nolan leads a remarkable Messiah, which will be talked about in years to come.
This sublime concert of music by Monteverdi is a substantial program, expertly curated and performed.
This "Requiem of the Imagination", featuring Mozart and new music by Jessica Wells, was a superb concert eliciting excitement and joy.
Kanen Breen dazzles in a riotous production of Rameau’s comedy directed by Neil Armfield.
Curated by Joseph Nolan, next year's program sees two of Handel's great works performed alongside a Chopin recital and an organ recital.
Pinchgut At Home will feature recordings of four of Pinchgut’s acclaimed recent productions in a digital season running until the end of the year.
