Ahead of the release of his period-instrument Winterreise for ABC Classics, the Australian baritone talks about preparing this monumental song cycle with the help of some 19th-century singers.
The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.
Stuart Skelton, STC's The Harp in the South, Carl Vine, Dame Joan Hammond, and orchestras on the fringe who are thriving.
An interesting production not without its problems, balanced by some strong performances.
A bold, mostly considered take on Monteverdi's potent tale of sex, power and violence.
Some very good singing in this admirable venture was let down by the venue.
Erin Helyard and team create a fertile ground for creative collaboration and innovation.
The Australian-born, Europe-based baritone on YouTubing dead divas, the operas he could do without, and wardrobe mix-ups.
Acacia Quartet and Sally Whitwell bear the bays at this year's Festival.
Filling the void left by Hobart Baroque, Julia Fredersdorff's new period ensemble will launch at Ten Days on the Island.
