In this charmingly staged production, the focus is on acting rather than vocal pyrotechnics, with Nancye Hayes the jewel in the crown.

The 15-play season, 11 by Australian writers, includes a 'cine-theatre' staging of Dracula, a co-pro with Dublin's Gate Theatre, and a new production of the musical Dear Evan Hansen.

Australian works are "front and centre" in Melbourne Theatre Company’s 12-play 2024 season, says Anne-Louise Sarks.

Bloom lives up to its name, revealing a big heart and warm sense of humour as it explores aspects of life too often ignored.

With his first musical about to open at Melbourne Theatre Company, Tom Gleisner tells us how much he’s enjoyed the creative process.

Michael Griffiths's deeply personal autobiographical cabaret, set to the music of the Pet Shop Boys.

A dusty Venetian gem brought to life by a impressive singers whose dramatic abilities match their vocal prowess.

Director Dean Bryant takes Limelight behind the scenes for a glimpse into the making of an opera that "never lets up".

Lewis Treston’s sparkling, OTT, queer rom-com Hubris & Humiliation is a perfect piece of programming for WorldPride.

Christie Whelan Browne and writer/director Dean Bryant discuss their darkly funny look at the world of musical theatre performers.

Artistic Director Kip Williams shares his insights into a season that is dominated by Australian work, with six world premieres and four commissions.

With an Australian premiere by Legrenzi and a masterpiece by Handel, the company continues its tradition of breathing new life into unknown or rarely performed works.