Review: Bon Appétit! (Deborah Humble)
Julia Child is alive and cooking in this bite-sized opera monologue baked to perfect imperfection.
Julia Child is alive and cooking in this bite-sized opera monologue baked to perfect imperfection.
Critics salute Victoria's deep and adventurous opera culture.
Joy unconfined as Simone Young brings SSO’s season to a spectacular close.
The QSO and Brisbane Chamber Choir Collective delivered an incredible, terrifying journey from the abyss to salvation in Verdi’s Requiem.
Music by an Australian great is about to be heard for the first time in London. Pianist Rosemary Tuck traces its journey to the concert stage.
A new production of Saint-Saëns’s Old Testament tale respects tradition while refreshing it with sophisticated minimalist design.
Log in to read the flipbook version of Limelight's June 2025 magazine.
Deborah Humble tells us about her role debut as Delilah and why mezzos get stuck in "witches, bitches and britches" roles.
From high notes to deep brass, June’s Limelight hits all the right chords in music, theatre and more!
From high notes to deep brass, June’s Limelight hits all the right chords in music, theatre and more!
Mahler's Resurrection celebrates new concert hall, new conductor and new era.
The little company that could presents opera’s longest work in a vast space that proves surprisingly perfect.
Melbourne's UNESCO-listed Exhibition Building to host an ambitious, all-Australian staging of Wagner's "miracle of complex engineering".