Review: Baroque Temptations (Australian Festival of Chamber Music)
Clever programming and an AFCM all-star line-up captivated and occasionally astonished.
Clever programming and an AFCM all-star line-up captivated and occasionally astonished.
Violist and curator-turned-creator Katie Yap takes you behind the making of her Freedman Fellowship Project - multitudes.
Cameron Lam’s Australian Art Music monthly playlist explores a fresh crop of new and recent releases across Classical, Jazz and Sound Art.
Five world premieres, 34 concerts and 39 musicians make for an illuminating North Queensland chamber music festival.
Katie Yap, the 2022 Freedman Classical Fellow, tells us about the project she is undertaking as a result of her win.
A beautifully realised Baroque program with two stunning oboe concertos.
This was a diligent and respectful performance of Rossini's "poor little Mass", but it lacked anything of the composer's wit and playfulness.
An inspired exercise in musical curation, expertly delivered.
Triumph plucked from adversity in a concert fit for a Mayor.
New year, new name, same winning formula for Australian concert platform
Returning for its third year, the festival gathers a superb roster of Australia’s finest musicians for five days of music making in Bendigo.
The MSO Chorus delivers the “London” version of the Brahms Requiem with great energy.