Review: Petite messe solennelle (Festival of Voices)
A Festival of Voices highlight reaffirms Rossini’s vivid musical imagination and humour in a work that is neither little or solemn.
A Festival of Voices highlight reaffirms Rossini’s vivid musical imagination and humour in a work that is neither little or solemn.
From classical to contemporary, gospel to pop, this year's Festival of Voices traverses a rich choral landscape with Australian and international artists.
Directed by Peter Coleman-Wright, this production was a triumph, with superb singing, beautiful music and inventive staging overcoming budgetary limitations.
The Festival of Voices is back. Graham Abbott discusses one of the program highlights: Handel’s four Coronation Anthems.
“Australia’s premiere celebration of the voice” returns to Tasmania in July.
The MSO Chorus returns, bringing joy to the end of a diabolical year.
This delightful, technicolour-bright production is wonderful, light-hearted entertainment, and just what we need right now to lift the spirits.
Each episode of Classics Unlocked, produced by Universal Music Australia, will explore a period of music or body of work.
This phenomenally gifted composer’s legacy still resounds across both popular and classical music – and now audiences can hear him playing with the Sydney Symphony Orchestra.
Robert Macfarlane delivers robust tone and diction to die for as Belshazzar.
New digital roles come at the cost of redundancies, as a handful of favourite broadcasters are forced out of the lineup.
Julian Day will present Classic Breakfast, one of the station’s most popular shows.