Review: Do Not Go Gentle (Sydney Theatre Company)
Patricia Cornelius's poetically powerful depiction of dementia and old age is stranded in the wilderness, its potential unfulfilled.
Patricia Cornelius's poetically powerful depiction of dementia and old age is stranded in the wilderness, its potential unfulfilled.
Actor Philip Quast prepares to venture into the frozen landscapes of Patricia Cornelius's wintry drama for Sydney Theatre Company.
Wannabe pop stars discover that fame and the music industry isn't everything they expected it to be.
Sylvia Khoury’s Pulitzer Prize-nominated Selling Kabul is a play that works like an ornate watch. This production is not ticking perfectly just yet.
Musical Director Zara Stanton on her role in turning a silent movie landmark into the Hayes Theatre's latest show.
UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.
This moving, tech-savvy rendition of Irish writer Margaret Perry's Collapsible is rich with imagery and humour.
There's too much going on in Theresa Rebeck's Bernhardt/Hamlet but actor Kate Mulvany exerts huge gravitational pull at its centre.
Director Eve Beck is to develop an immersive work exploring women’s experiences of rage, pain, and indignation on the road.
“The possibility of genuine cultural and artistic thriving.” Arts sector leaders respond to the release of the National Cultural Policy.
The stand-out performances and best shows in Sydney are up for acknowledgement at the 18th annual Sydney Theatre Awards.
What do our theatre companies have on offer in the year ahead?
From purchasing a few bars of music to making a multi-million-dollar donation, we explore the different ways that philanthropy can help transform our cultural life.