Review: Tchaikovsky’s Symphony No. 4 (West Australian Symphony Orchestra)
The program may have been unsurprising but the compelling concert kept the audience on the edge of their seats.
The program may have been unsurprising but the compelling concert kept the audience on the edge of their seats.
Log in to access the PDF version of Limelight December 2020.
While spending time in iso, Guy Noble realises he’s not very good at doing nothing – but says it’s worth every minute to be conducting a live concert.
The new-look Limelight magazine includes major features written by Mahima Macchione, Jane Albert, Carole M. Cusack and Alex Ross.
The QSO's 2021 season features three new commissions by Australian composers and a focus on the orchestra's own musicians.
Read our features on religion, music and immortality, a Brazilian opera festival where everything is free, adapting literature for the theatre, as well as an extract from Alex Ross’s new book Wagnerism.
OA is announcing its 2021 program in stages. This first season includes Ernani, Bluebeard's Castle, The Merry Widow and Tosca. Lyndon Terracini also addresses the company restructure and redundancies.
We are delighted at the positive response to our new-look publication, and excited to reveal what you will find in the November issue, now at the printer.
Guy Noble has pondered tunnelling his way beneath borders to raise a baton interstate, as the Prime Minister’s optimistic “snapback” strategy snapped.
Before Limelight returns to print, we reveal some of the stories that will feature in our refreshed, redesigned magazine, and what to look out for online.
Discover the role the arts can play in the face of a climate crisis, and learn about the exciting new collaborations between Indigenous composers and Western classical musicians.
Discover our readers' and critics' favourite artists of 2019, learn about Beethoven's final tempestuous year, and celebrate Musica Viva as it turns 75.
The standout CDs of 2019 plus music for your Christmas stockings, Bran Nue Dae at 30, David Williamson's final curtain call, and we interview Richard Mills.