Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.

As a satire, it holds us at arm's length, but Urinetown is also an affectionate parody of the Broadway musical, and therein lies much of the fun.

The stand-out performances and best shows in Sydney are up for acknowledgement at the 18th annual Sydney Theatre Awards.

Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.

Ashleigh Rubenach and Rob Mallett tell us about Nice Work If You Can Get It, the all-singing, all-dancing "screwball" musical, with a glorious Gershwin score, now playing at the Hayes.

This refreshing take on the 1971 musical retains the show's exuberant, improvisational feel but gives it a more contemporary vibe.

The exciting season includes a Sondheim musical, two new Indigenous plays among seven Australian stories, and an adaptation of a best-selling Australian novel.

Radical staging and a brilliant new version of the score elevate Frank Wildhorn’s popular musical, produced professionally in a fully staged version for the first time in Australia.

Two wildly different, inventive stage adaptations, running concurrently in Sydney, are replacing Jekyll and Hyde's simplistic dichotomy with something far more complex.

This month our features explore investing in music education, reevaluating Australian culture through a regional lens, two stage adaptations of Jekyll and Hyde and whether postmodernism has put paid to beauty.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This month our features explore investing in music education, re-evaluating Australian culture through a regional lens, two stage adaptations of Jekyll and Hyde and whether postmodernism has put paid to beauty.