This ingenious, double-plotted musical, with a stunning jazz score and hilarious book, is brought to vivid life at the Hayes.

This new Aussie musical, or song cycle, is sweet and charming, though the linking narrative isn't clear.

Thea von Harbou’s vertiginous depiction of a world run by corporations re-engineered into a satisfying – if not entirely moving – chamber musical.

Musical Director Zara Stanton on her role in turning a silent movie landmark into the Hayes Theatre's latest show.

This moving, tech-savvy rendition of Irish writer Margaret Perry's Collapsible is rich with imagery and humour.

UK playwright Simon Longman's wintry drama Gundog is a gripping, poetic and timeless portrait of rural life and death.

Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.

As a satire, it holds us at arm's length, but Urinetown is also an affectionate parody of the Broadway musical, and therein lies much of the fun.

The stand-out performances and best shows in Sydney are up for acknowledgement at the 18th annual Sydney Theatre Awards.

Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.

Ashleigh Rubenach and Rob Mallett tell us about Nice Work If You Can Get It, the all-singing, all-dancing "screwball" musical, with a glorious Gershwin score, now playing at the Hayes.

This refreshing take on the 1971 musical retains the show's exuberant, improvisational feel but gives it a more contemporary vibe.