Introducing the July 2026 issue of Limelight
Our mid-winter edition celebrates orchestral milestones and boundary-breaking composers while pondering creativity in the algorithmic age.
Our mid-winter edition celebrates orchestral milestones and boundary-breaking composers while pondering creativity in the algorithmic age.
Log in to read the flipbook version of Limelight's June 2026 magazine.
Steve Dow talks with actors Googoorewon Knox and Guy Simon, and playwright Jane Harrison about her new play Bennelong in London.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
Stolen is a critical part of Australia’s theatre canon, one that does not pander or provoke, but simply tells a collective truth.
This accessible, thought-provoking new opera about the First Fleet's arrival helps fill a gap in a history written by visitors who never left.
Dharug composer Christopher Sainsbury has written a new opera for Victorian Opera, with a libretto by First Nations playwright Jane Harrison.
Jane Harrison's powerful play offers a very different, thought-provoking perspective on the arrival of the First Fleet.
The 15-play season, 11 by Australian writers, includes a 'cine-theatre' staging of Dracula, a co-pro with Dublin's Gate Theatre, and a new production of the musical Dear Evan Hansen.
Artistic Director Kip Williams shares his insights into a season that is dominated by Australian work, with six world premieres and four commissions.