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Classical Music, Vocal & Choral
news

The Song Company announces 2023 season

From sacred music to intimate promises, three touring programs explore the astonishing breadth and diversity of vocal music, across Australia and around the world.

February 3, 2023
Opera
Live Review

Review: Antarctica (Sydney Chamber Opera, Asko|Schönberg, Sydney Festival)

Mary Finsterer's heart-stoppingly beautiful new opera is endlessly absorbing, sonically and visually.

January 6, 2023
Classical Music, Orchestral
Live Review

Review: The Crowd & I (Australian Chamber Orchestra)

As the world resets, Tognetti makes a compelling statement about the fragility of life on Earth in this concert with striking video imagery.

August 11, 2022
Opera
Live Review

Review: Antarctica (Sydney Chamber Opera, Asko|Schönberg Ensemble)

The world premiere of this new Australian opera – a work that prompts dread as well as wonder about humanity's relationship with the natural world – was an enormous triumph, artistically and logistically.

June 10, 2022
Classical Music, Opera
Live Review

Review: Future Remains (Sydney Chamber Opera, Sydney Festival)

Janáček’s The Diary of One Who Disappeared is given an exquisite staging before a bold new work tears it to shreds in this intelligent and entertaining double bill from Sydney Chamber Opera.

January 7, 2021
Opera
Live Review

Review: Breaking Glass (Sydney Chamber Opera)

Tonight's online premiere of four short operas by four Australian women composers is a major achievement for Australia's most inspirational modern opera company.

April 25, 2020
Opera
Live Review

Review: The Rape of Lucretia (VO & TSO for Dark Mofo)

Gender-swap aside, this is an important, deeply moving opera at a time when we need to continue these conversations.

June 18, 2018
Classical Music, Opera
Live Review

Review: The Rape of Lucretia (Sydney Chamber Opera, Victorian Opera)

Anna Dowsley stuns as Lucretia in Kip Williams' deconstructed Britten.

August 20, 2017

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