It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.

Rutherford-Johnson illuminates the shape-shifting mycelial web of connections out of which Lim’s music emerges.

Announcing a new postgraduate program for 2023, Words, Text, Voices, Music, the Sydney Conservatorium of Music will halt its successful Composing Women program for the foreseeable future. 

Paul Stanhope, Olivia Davies, Liza Lim and the Australian Art Orchestra are among the winners at this year's Art Music Awards, presented at the first in-person ceremony in two years.

Co-curators Anne Cawrse and Anna Goldsworthy have made an exceptional contribution to a paradigm shift in favour of Australian women composers.

Two superb song cycles by Katy Abbott and Linda Kouvaras formed the core of this concert, both important works that deserve to receive stage time long into the future.

An outstanding survey of Australian new music, but caution is needed when it comes to categorising compositions.

There are 67 new pieces of Australian music in the world and you can hear them all in a festival at ANAM.

ANAM’s immediate and immersive chamber music experience will take up residence in London’s Royal Albert Hall for a special season in September.

Opera’s gendered violence is a complex issue, with no easy fix 

A series of up-close videos is an unexpected positive to emerge from the COVID crisis.

Vivid performances stake a claim for Lim’s strikingly distinctive sound world.