Review: She Speaks (Adelaide Symphony Orchestra)
This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.
This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.
The composers will spend two years with the Australian Composers' School, workshopping music with the Tasmanian Symphony Orchestra.
Cameron Lam spotlights the flute in his latest playlist of new Australian music.
TSO House will showcase Tasmanian composers past and present, with music available to hire to orchestras, community ensembles and schools around the world.
Greater diversity in revamped categories sees the established go head-to-head with the up-and-coming.
Perfect compilation proves Aussie sisters have been doing it for themselves for a century.
A typically thoughtful, superbly performed concert including two Australian compositions.
We spoke to Maria Grenfell and Thomas Misson about their new works for the Hush Foundation ahead of performances by the ACO Collective.
Women and groups including women make up 56% of successful applicants.
Taking inspiration from Strauss and New Orleans “slave songs”, Grenfell has written a new work for clarinet and bassoon. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in