“It needs to be more than a building” – Carriageworks revival project commences
After a five-month review of its operations, the struggling Carriageworks makes a bid to regain its place on the cultural map.
After a five-month review of its operations, the struggling Carriageworks makes a bid to regain its place on the cultural map.
The history of Broome’s pearling industry and a long-ago personal connection inspired Marrugeku’s new dance work.
What do our opera and dance companies have on offer in the year ahead?
Iain Grandage delivers his final Perth Festival as Artistic Director, one set to warm hearts and minds.
Three major dance works complemented by discussions, classes and a Marrugeku symposium warm up Sydney's arts and culture precinct.
A powerful meditation on identity, work and the presence of ancestors from the Broome-based intercultural dance company Marrugeku.
In the larger national festival ecosystem, the Adelaide Festival retains the original intent of those who set it up more than 60 years ago.
What do our opera and dance companies have on offer in the year ahead?
A round-up of our recent news reports.
Marrugeku, Eryn Jean Norvill and Deirdre O’Brien are the winners at this year's prestigious awards, recognised for their creativity and determination.
From the power of choirs to the power of young people, the Adelaide Festival’s new Artistic Director Ruth Mackenzie shares her thoughts on next year’s program, and the future.
The five-play season, which includes a world premiere by sisters Mandy and Hayley McElhinney, is the first under new Artistic Director Kate Champion.
Paul Stanhope, Olivia Davies, Liza Lim and the Australian Art Orchestra are among the winners at this year's Art Music Awards, presented at the first in-person ceremony in two years.