The Brazilian baritone on being Mr Evita, Tony Awards and the importance of good coffee.

With the year drawing to a close, we look back over the operas that wowed our critics in 2018.

An imperfect realisation of Wagner’s comedy, but the music making more than compensates.

Richard Wagner’s comic masterpiece explores the nature of art. As Kasper Holten’s production for Opera Australia opens in Melbourne, we examine why it's become a controversial target of revisionism in recent decades.

Shane Lowrencev has withdrawn from Meistersinger, leaving the company to find its third Hans a week out from opening.

Brian Howard’s opera is given an impressive revival in a suitably grungy new performance space.

Tina Arena gives us a vocally high flying Evita in Hal Prince's original production.

In preparing to stage an operatic version of Kafka’s Metamorphosis for Opera Australia, the director has been pondering what this story of a man who turns into a bug really means.

As a revival of Hal Prince’s original staging of Evita heads for Australia, Sir Tim Rice explains how a dangerously glamorous Argentinian dictator turned out to be surprisingly good for him.

The September 2018 issue of Limelight Magazine features a celebration of Jørn Utzon's mighty Sydney Opera House, Composer of the Month Peter Sculthorpe, and much more.

The September 2018 issue of Limelight Magazine is now on sale featuring Jørn Utzon's mighty building, Australian composer Peter Sculthorpe as Composer of the Month, and much more.

Opera Australia will donate 30 of Joan Sutherland’s most recognisable costumes to the nation’s largest collection of performing arts memorabilia.