Nicole Car’s radiant debut as Violetta earns a rapturous standing ovation in a very special night.

Now based in Paris and soon to make her Met debut, high-flying soprano and new mother Nicole Car talks to Jo Litson as she returns home for a concert tour with the Australian Chamber Orchestra and an important role debut with Opera Australia.

The March 2018 issue of Limelight Magazine features Australian star soprano destined to follow Sutherland to the very top – meet Nicole Car.

Kosky's dazzling production of The Nose celebrates the grotesque and the absurd.

Melbourne’s annual awards ceremony for the performing arts recognises last year’s best and brightest.

In this second part of a two-part interview, the veteran bass speaks frankly about how the profession of singing has changed over his long career.

Ahead of his Opera Australia debut as Don José, the Argentine tenor talks favourite sopranos, fantasy dinner guests, and guilty pleasures.

Shostakovich was 20 when he began writing The Nose. Barrie Kosky was around the same age when he fell in love with it.

The veteran stage director has been dismissed after a chorister made a complaint to the company.

Stunning sets and star power have made Murphy’s production the most popular production of the work in the company’s history.

The veteran British bass has some advice for young basses and reveals the secrets of Reginald Goodall and his hidden room.

Opera Australia’s four young Regional Scholarship winners wowed an audience at the Opera Centre following a week of intensive coaching.