Australian works are "front and centre" in Melbourne Theatre Company’s 12-play 2024 season, says Anne-Louise Sarks.

Liza Lim "honoured and very humbled" to be among almost 1200 Australians to receive recognition for their work this year.

Pamela Rabe is an unforgettable Ranevskaya in Eamon Flack's production of Chekhov’s last play for Belvoir.

Inspired by Vivaldi's Four Seasons, there are some lovely visual and musical effects, but the production doesn't get to grips in real depth with the issues promised.

A series of newly commissioned concertos written for members of the orchestra are amongst the highlights of the MSO’s first six months back on stage after the COVID-19 shutdowns.

Zahra Newman and Hugo Weaving give dazzling performances, but the production doesn’t entirely hit home.

Kip Williams and a top cast explore the truth and mendacity in Tennessee Williams’ play.

An insistence on the big effect comes at the expense of effective theatre.

Power and family are in the spotlight in STC’s 2019, Kip Williams explains, with a swathe of new plays alongside modern classics like Lord of the Flies, Così and Cat on a Hot Tin Roof.

In her new work Ruler of the Hive for narrator and orchestra, Melody Eötvös draws on the monologues of Shakespeare's leading 'ladies'.

Lucy Kirkwood's intimate dystopia paints a world in which sacrifices must be made.

Eamon Flack's updated Ibsen takes a timely look at our own lingering ghosts.