Pinchgut's Erin Helyard joins ANU faculty staff in a week-long exploration of a remarkable archive of instruments.

Pinchgut's 25th birthday program lines up three comedies and one of Artistic Director Erin Helyard's favourite works of all time.

Caffeinated comic capers bring the buzz to this entertaining excursion into the lighter side of Baroque music.

We trace the history of the soaring male voice from the 18th-century castrati to a reclaiming of some mezzo-soprano roles today.

This month’s performance highlights from ABC Classic, independent radio and streaming.

Erin Helyard on making his UK debut as conductor with Handel’s love-and-sorcery drama Amadigi di Gaula at the Buxton International Festival.

Bass-baritone Freddy Shaw called an ambulance and administered CPR to a man who had collapsed on the street in the NSW suburb of Mona Vale.

The company appeals to youngsters with a major new discount as Music Australia reports a decline in opera attendance.

This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.

Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A peek into the soundscape of 18th-century Germany through works by important composers and the rare instruments of the Orchestra of the Antipodes.