Review: Mendelssohn’s Elijah with Bryn Terfel (Sydney Symphony Orchestra)
Bryn Terfel moves heaven and earth in Mendelssohn’s formidable farewell blockbuster.
Bryn Terfel moves heaven and earth in Mendelssohn’s formidable farewell blockbuster.
An old and familiar tragedy made freshly moving in Rodula Gaitanou's powerful production.
Pinchgut's 25th birthday program lines up three comedies and one of Artistic Director Erin Helyard's favourite works of all time.
MSO brings a welcome touch of Scandinavian savvy to Melbourne’s festive season.
Two of the world’s best Nibelungs and a stunning Brünnhilde debut raise the bar as Young’s already outstanding Ring Cycle continues.
WAO promises "opera that speaks to the heart" in a 2026 season of three mainstage classics and a secret 'pop-up' experience.
Taking it to the limit: Edward Gardner, Samantha Clarke and WASO combine to deliver a thrilling, edge-of-the-seat experience.
With lashings of on-stage chemistry, this all-conquering Neil Armfield production of Handel's Julius Caesar is a triumph.
Steve Dow talks to academics, historians and stage directors about Julius Caesar and his ongoing resonance within the arts.
After navigating turbulence in recent weeks, Opera Australia charts a course to "engage and delight" in 2025.
Australia’s Mr Baroque, Erin Helyard, led a splendid concert starring soprano Samantha Clarke.
Starting 2024 as Violetta in her Opera Australia debut, soprano Samantha Clarke has a big year ahead.
The stars align, literally and figuratively, as Simone Young’s four-year Ring Cycle lifts off to a rapturous ovation.