Review: Opus.her (Orange Chamber Music Festival)
OFCM demonstrates a dedication to Australian and female-composed works that other orchestras and festivals lack.
OFCM demonstrates a dedication to Australian and female-composed works that other orchestras and festivals lack.
Gemma Farrell, Linda Thompson and Sonya Lifschitz among those awarded for their pioneering contributions to Australian music.
Jessica O'Donoghue, Andrée Greenwell and Katie Noonan are among this year's nominees, recognised for excellence in the music industry.
Ensemble Offspring are again the unrivalled champions of new Australian music in 2024, with 12 world premieres.
A five-day broadcast celebrates the achievements of female composers across the globe and at home, including Deborah Cheetham Fraillon, Ella Macens, Anne Boyd and Hildegard von Bingen.
The pianist talks about her upcoming collaboration with composer Robert Davidson, a work weaving in the voices of pioneering women.
Bringing local and travelling artists to coastal NSW, this year's Festival features Australian String Quartet, Speak Percussion and Ngaiire.
The festival frees 'the child within' with 150 artists and five premieres over 10 days, in a program that includes the Brodsky Quartet, Quatuor Van Kuijk, William Barton and Katie Yap.
Julian Day reports on the longest, and probably the loudest, noise set they have ever heard by experimental musician Marco Fusinato, who is representing Australia at the Venice Biennale.
Tamara-Anna Cislowska tells us about a concert at Sydney Festival that will see six pianists play six grand pianos in the Sydney Town Hall.
With a wide-ranging program spanning monumental to comic, the second iteration of City Recital Hall's new music feast doesn't disappoint.
Three acts will present Australian music and musicians to the world as part of the Showcase Festival at the conference in Rotterdam.
Two pianists, one spirit, one superbly delivered set of Goldberg Variations.