We chart the latest appointments and departures in the arts sector, among them Anne Dunn who joins Sydney Theatre Company and Carl Crossin who leaves Adelaide Chamber Singers.
The pandemic has accelerated the move online, but is it financially viable?
A COVID gratitude list in a bid to lift his spirits, Guy Noble finds joy in Bach, toasted sandwiches and the hold music on the ATO helpline.
Canberra-born soprano Chloe Lankshear, Pinchgut Opera's first Taryn Fiebig Scholar, tells us about her collaborations with the company so far.
Musicians and singers, who were rehearsing OA’s Otello, are now in self-isolation after a construction worker at Sydney Opera House tested positive for COVID-19.
The Australia Council report, In Real Life: Mapping digital cultural engagement in the first decades of the 21st century, looks at how audiences have adapted to digital performance platforms.
The 2021 Utzon Music season at the Sydney Opera House features beloved classics by Beethoven and Clara Schumann as well as new works by First Nations artists.
Hamed Sadeghi and the Eishan Ensemble offer up a rich and compelling brew of ideas and sounds.
Wilfrid Gordon McDonald Partridge captures young audiences and ignites what will hopefully become a lifelong appreciation of the performing arts.
Hamed Sadeghi and Steven Oliver discuss their performances in the latest UnWrapped program, which includes First Nations cabaret, contemporary dance, Iranian-influenced jazz, Irish-Danish folk and innovative digital performance.
What’s happening on stage this month? We’ve put together a list of the most exciting events taking place in May 2021.
Opera Australia and the Really Useful Group will stage Cameron Mackintosh’s new production in September, with Australian performer Josh Piterman in the title role.
The Royal Shakespeare Company’s new digital reimagining of A Midsummer Night’s Dream harnesses video game technology and an interactive score conducted by Esa-Pekka Salonen.
