Features include a tour around the SOH's revitalised Concert Hall, interviews with Maestro Zubin Mehta, and Sheku and Isata Kanneh-Mason, and a look at the state-of-play of Australian musicals.
The legendary duo charm the audience with their mix of routines, old and new, while reminding us that what they do is not magic but a trick.
She first started scribbling things in her script of My Fair Lady when Dame Julie Andrews directed her as Eliza, now Anna O'Byrne is about to star in her first solo show.
Following a freak accident with a water sprinkler, the organ, built into the Concert Hall's southern wall, won't be repaired in time for the SSO concerts that reopen the hall in July.
Backstage Music returns for a 2022-23 concert series, showcasing diverse talents across various genres and styles.
Fiona Winning, the curator of Sydney Opera House's UnWrapped, discusses the power of the Sydney Opera House brand to entice audiences to try something a little out of the ordinary.
This month’s concert highlights from ABC Classic, independent radio and streaming.
Forced into box-ticking to be allowed to work (safely) at the Sydney Opera House, Guy Noble suddenly had an egotistical thought . . .
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A new space for creativity and lifelong learning has become the first new dedicated programming venue to open at the Opera House in more than 20 years.
When Anna-Louise Cole first auditioned for the University of Melbourne, she was torn between playing cello and singing, but vocal studies won the day. Now the exciting young Australian soprano is to make her role debut as Turandot and, next year, Brünnhilde for Opera Australia.
Sydney has dropped off the map internationally because it doesn’t have enough theatres, says British impresario Howard Panter. For decades, the theatre industry has lobbied for more Sydney venues.
The Sydney Opera House's Utzon Music chamber series returns in 2022, with old favourites, as well as premieres of new works from Brett Dean and Paul Stanhope.
