Review: Carmina Burana (Sydney Philharmonia Choirs)
Delivering a beloved choral classic alongside satisfying new Australian works proved a great example of modern programming.
Delivering a beloved choral classic alongside satisfying new Australian works proved a great example of modern programming.
Close collaborators Elena Kats-Chernin and Tamara-Anna Cislowska pay heartfelt homage to Australia’s rich migrant history in Human Waves.
An expert pianist, Hollier's compositions included an opera, works for orchestras and chamber ensembles, and solo pieces for piano, harpsichord and organ.
Celebrating 20 years as Artistic and Music Director of Sydney Philharmonia Choirs, Brett Weymark explains why he equates his career with a bottle of wine.
The stars come out for a night of popular music that sends its audience out on a high.
Celebrating its 50th birthday this year, Sydney Opera House is turning itself inside-out to attract new audiences.
Sydney Philharmonia Choirs celebrates a significant milestone with blazing performance of Handel's Samson, with soloists and choir on top form.
It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.
Star soprano Chloe Lankshear discusses the universal language of Bach, the awe-inspiring sound of a choir, and performing with acclaimed conductor Stephen Layton.
What do our orchestras and choirs have on offer in the year ahead?
Conducted by Brett Weymark, Handel's Messiah shines a fresh light after the dark months of the pandemic.
Celebrating his 20th year as Artistic & Music Director, Brett Weymark has put together a program that focuses on voice, energy and joy, and features popular favourites along with new commissions by First Nations and Australian composers.
Superb performances by two last-minute jump-ins, their fellow cast members, Sydney Philharmonia Choirs and the SSO under Simone Young make the most of Beethoven’s troubled piece.