Limelight's 2018 Australian Artist of the Year: Critics' Choice talks about her artistic principles, the luxury of choice and taking on America in the seasons to come.

Relocation to the Sydney Town Hall means the orchestra will no longer need the $1 million grant, which embroiled the orchestra in a funding controversy earlier this year.

Arts patron Peter Weiss' gift is the most significant cash donation the venue has ever received.

Despite notable ups and downs, Ian Whitney’s annual report into the number of Australian works performed by the major orchestras sees little improvement year on year.

The Sydney Symphony Orchestra was joined by Sydney Philharmonia Choirs, Sydney Chamber Choir, and Conservatorium High School Chamber Choir in a concert reflecting on the life of the beloved conductor and music educator.

David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.

Ahead of the orchestra's memorial concert, CEO Emma Dunch reflects on Richard Gill’s legacy with the SSO.

A concert all the more interesting for its elements of surprise.

Claire Edwardes unveils James MacMillan's latest percussion concerto and David Robertson gives us a cracker of a Beethoven 7.

Double bass player Alanna Jones and cellist Daniel Pini share their experiences of playing, teaching and exploring in China.

The SSO's former chief Edo de Waart gives a muscular account of Beethoven's final symphony.

A rising star internationally, American soprano Amanda Majeski is about to make her Australian debut in the Beethoven Nine for SSO.