Review: Viennese Romantics (Sydney Symphony Orchestra)
David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.
David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.
Ahead of the orchestra's memorial concert, CEO Emma Dunch reflects on Richard Gill’s legacy with the SSO.
A concert all the more interesting for its elements of surprise.
Claire Edwardes unveils James MacMillan's latest percussion concerto and David Robertson gives us a cracker of a Beethoven 7.
Double bass player Alanna Jones and cellist Daniel Pini share their experiences of playing, teaching and exploring in China.
The SSO's former chief Edo de Waart gives a muscular account of Beethoven's final symphony.
A rising star internationally, American soprano Amanda Majeski is about to make her Australian debut in the Beethoven Nine for SSO.
An enjoyable and thoughtfully diverse program performed by Jean-Yves Thibaudet and Jukka-Pekka Saraste.
Brett Dean conjures a dramatic debate between philosophers in his final concert as SSO Artist in Residence.
It will be the first time that the Fellows have undertaken an international tour.
Style and sensitivity from French cellist Gautier Capuçon before Vladimir Ashkenazy gives us a peek behind Strauss's closed doors.
NAVA Executive Director Esther Anatolitis has called for the money, which was diverted to a ‘special project’ by the Arts Minister, to be returned to artists immediately.
Warhorses come up fresh in Steinbacher and Ashkenazy’s hands.