Gavrylyuk's technique is flawless, sometimes astonishing. But does he overplay his strengths?

Romantic giants up close and downsized for a fine drop of red.

The (mostly) blue moods of Beck Hansen beautifully are captured and elevated in a Sydney Opera House concert to remember.

A big bang bonanza and a uniquely emotional journey through Holst's suite.

A transcendent program co-curated and composed by Ross Edwards is the perfect send-off for outgoing Festival Director Catherine Harker.

Time-honoured Sydney Symphony debut for Recorder Queen Genevieve Lacey.

Lucas van Woerkum's new Symphonic Cinema project makes Holst's masterwork the engine of a bespoke film.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A round-up of our recent news reports.

Two Russian masterpieces where the composers win against the odds.

Hammer time: Donald Runnicles carves Mahler’s mighty Tragic masterpiece.

Nathan Waks hopes that "tokenised fractional ownership” will keep his 1740 Carcassi cello on the stage rather than in a collector's vault.