From Stravinsky to Star Wars? What used to be thought of as a gateway to 'proper' symphonic music is now a mainstay of orchestral programming.

On the 150th anniversary of Ravel's birth, Robert Treviño and Bertrand Chamayou talk to us about why his music is so unique and widely loved.

A round-up of our recent news reports.

This month’s performance highlights from ABC Classic, independent radio and streaming.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Alongside this year's Fellows, the SSO has also announced the addition of a new conducting stream for next year's Fellowship Program.

A player of "outstanding musicianship [and] diplomatic finesse," Hazelwood was Concertmaster of the SSO for 33 years.

Tenth Muse Initiative tracked diversity in Australian orchestral programming in 2024. Which organisations are pulling their weight?

Ehnes and his 1715 Stradivarius have become a familiar sight on Sydney Opera House’s concert hall stage, but he always surprises.

SSO Concertmaster Andrew Haveron is a violin god hiding in plain sight.

Our reviewers and readers have voted for the artists who blew them away during the past year. So, who are the winners?

Schubert’s Winterreise is widely regarded as the pinnacle of German Lieder. German baritone Matthias Goerne discusses why he is so drawn to it.