Rahel Romahn plays Mozart in Amadeus, opposite Michael Sheen as his musical adversary, Salieri. He plans to pick Sheen’s brains, since the Welsh star portrayed Mozart in London in 1998 and then on Broadway.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Heather Mitchell gives a magnificent performance in Suzie Miller's one-woman play about Ruth Bader Ginsburg, highlighting the play's strengths and smoothing its bumps.

The Sydney-based artist, who won the 2001 Archibald Prize with a portrait of John Bell as King Lear, and sketched many STC productions, has died from cancer, aged 66.

Meet Suzie Miller, the lawyer-turned-playwright, whose projects include a Broadway run of Prima Facie and a new play about Ruth Bader Ginsburg at Sydney Theatre Company.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

ATL Co-founder and Artistic Director Grant Dodwell talks about restoring the in-home theatre experience for a whole new generation and nostalgics alike.

Features include a look at Amanda Lee Falkenberg's musical space odyssey The Moons Symphony, the artists restoring the oratorio's theatrical setting, why Fidelio invites tinkering, and an interview with lawyer-turned-playwright Suzie Miller.

On 8 October, the arts precinct in Sydney will open its doors to one and all, with over 40 free events, including activities hosted by the eight resident companies.

Artistic Director Kip Williams shares his insights into a season that is dominated by Australian work, with six world premieres and four commissions.

While the play would have fared better in a smaller venue, it's a smartly written, intelligent, well-performed piece about fact, fiction and the concept of "truth".

Lorraine Hansberry's landmark play is an emotionally layered work of intellectual sensitivity; this Australian mainstage premiere more than does it justice.