STC issues apology for opening night solidarity protest by three members of the cast of The Seagull. Board members quit.

Andrew Upton’s new version of The Seagull transplants Chekhov’s portrait of addled ambition and creative torpor into dry Australian soils.

Brisbane writer Maxine Mellor wins her first Seaborn Award for a play she describes as "a return to joy".

Dickens’ festive classic is cleverly reinvented with cross-cultural humour, heart and Christmas magic.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A giddy-making hayride of a show, Belvoir adapts Bulgakov’s novel with the kind of reckless creativity we imagine was required to write it in the first place.

Provocative and complex, Ella Hickson’s play about the inter-connected realms of empire, resource exploitation and our future rewards the effort it demands.

Fans of the novel won’t feel short-changed, but a bolder approach to its adaptation might have made this a more theatrically satisfying experience.

Much-loved Australian actor Sigrid Thornton talks playing Irina Arkadina in The Seagull, and why risk-taking has become part of her makeup.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Australia's mainstage theatre companies are shunning Shakespeare in 2024. A much-needed break, or a mistake?

Pip Williams’ best-selling novel The Dictionary of Lost Words is about to see its world premiere on the stage.