Review: Whitefella Yella Tree (Griffin Theatre Company)
The brilliance of Dylan Van Den Berg’s writing lies in its ability to humanise the impact of colonisation in a way that resonates with a broad audience.
The brilliance of Dylan Van Den Berg’s writing lies in its ability to humanise the impact of colonisation in a way that resonates with a broad audience.
As she prepares to perform in her own adaptation of The Shiralee for Sydney Theatre Company, Kate Mulvany discusses her life and work.
Next year's 13 titles include three world premieres, two Pulitzer Prize winners and Miranda Otto's first STC appearance in 14 years.
Newcastle's iconic Ocean Baths is the subject and the stage for a new play that can truly call itself 'immersive'.
The talent runs deep in this gripping adaptation of Patricia Highsmith's classic thriller.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
In a series of delightfully excruciating theatre games, the underlying hurts of five ordinary people are gently revealed.
“This year’s nominees reflect the extraordinary depth and diversity of talent working in production design across the country,” says APDG President Michael Scott-Mitchell.
A round-up of our recent news reports.
STC reports a big bounce in revenue after years of sector-wide instability. Touring productions perform strongly.
Already an Emmy and Olivier Award winner, Sarah Snook adds a Tony to her cabinet at Broadway's night-of-nights.
Sheridan Harbridge to write a new work for STC; Karolina Ristevski awarded for a work "equal parts joyous, devastating, and confounding".
If Australia is to maintain a thriving arts industry, it needs to rethink its cultural leadership and governance, argues Samuel Cairnduff.