Review: Review: Vitesse (The Australian Ballet)
An ambitious trio of modern masterpieces that doesn't pull any punches.
An ambitious trio of modern masterpieces that doesn't pull any punches.
The company will grow to 79 full-time dancers this year to perform “large scale repertoire more comfortably.” Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The 21-year-old dancer from Queensland has been dancing with Australian Ballet since 2012. She receives a $20,000 prize. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
We chat to the six talented dancers from the Australian Ballet hoping to be crowned this year’s winner. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
An irresistible and opulent extravaganza that inspires a sense of childlike wonder.
A journey from glossy all-American glamour to the dark heart of a 21st-century masterpiece.
In the ballet world, Adam’s Giselle is almost as often performed as Swan Lake and The Nutcracker. However on the concert stage, it hasn’t achieved the same popularity as its Russian cousins. Despite the efforts of this beautiful recording by the Tasmanian Symphony Orchestra, expertly led by Nicolette Fraillon, it’s not hard to understand why. Adam’s buoyant melodies aren’t as charming as those in a Strauss waltz and there isn’t the same melodrama as you hear in Tchaikovsky’s famous ballets. The Tasmanian Symphony Orchestra with Fraillon at the helm do play Adam’s score stylishly and without fault, once again proving they are one of Australia’s most versatile orchestras. Their balance in the romantic orchestration has wonderful depth and is consistently lush. The frequent woodwind details are delightfully delivered, notably the interchanging flute and clarinet solos. Giselle and Albrecht’s Pas de Deux reveals the strength of individual players, with all the soloists playing with poise, especially the opening cellist. This disc is marketed toward the dance student, with the inclusion of ten alternative dance solos at varying tempi designed to suit differences in choreography or a dancer’s individual technique. If you are a fan of Adam’s music, or you are a…
We explore German electro pioneers 48Nord and Australian Ballet’s resident choreographer Tim Harbour’s latest creation. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The company’s talented dancers surprise and delight passers-by in Beijing, captured in a series of stunning images. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Storytime Ballet programme will offer specially created ballets for children as young as three-years-old across Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The nation’s flagship ballet troupe kick-off World Ballet Day LIVE, featuring five top international companies. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Tortured genius Vaslav Nijinsky is honoured in the company’s flagship production of next year’s season. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Australian Ballet Artistic Director shares his thoughts on the genius of Tchaikovsky. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in