Melbourne Chamber Orchestra announces 2024 orchestral season
For its 33rd season, Melbourne Chamber Orchestra delves into the communicative and connective power of music.
For its 33rd season, Melbourne Chamber Orchestra delves into the communicative and connective power of music.
For its 18th season, Kathryn Selby welcomes back Australian musicians she calls old friends, including the Goldner String Quartet for its final season.
Three festival programs and two mainland tours mark a broad season for the Quartet, with more programs and appearances yet to be announced.
Held every four years, the competition hosted by Musica Viva Australia has selected 14 leading international chamber ensembles to perform for the $30,000 Grand Prize as well as other prizes.
Across two concerts, Valve and Go showed how much extraordinary life and colour there is in Beethoven's cello sonatas.
A joyful return to the stage turned the page on a troubled season, and marked the start of exciting new era for the ACO.
The touring chamber ensemble will revive much of its cancelled 2021 season, and has a new Victorian home at the Primrose Potter Salon at Melbourne Recital Centre.
In this month's features we talk to Barrie Kosky about The Golden Cockerel, run an extract by Leigh Sales from the book Well Hello, explore the role of music reviewers today, and examine the pleasures and perils of writing music for the screen.
Affectionately known as ‘Tipi’, Timo Veikko-Valve is Principal Cello at the Australian Chamber Orchestra. He picked up the instrument to fill the family piano trio, and because a teacher once declared “he looks like a cellist”.
Few performances of Schubert's 'Trout' come close to this hour-long slice of heaven from the Australian Chamber Orchestra.
Across five tours, Selby & Friends welcomes back plenty of old friends in new combinations to perform music from Joaquín Turina to Joan Tower.
The Sydney Opera House’s chamber series will span Estonian song to music from across Africa and James Ehnes’ Beethoven Violin Sonata cycle next year.
The popular Australian Chamber Orchestra cellist tells us about his double bass envy, his love of cooking, and his most awkward moment on stage.