Belvoir's Grief and Hayes Theatre Co's Phar Lap pick up multiple awards at this year's critic and industry peer-voted STAs.

Director Lee Lewis talks why she believes Yasmina Reza’s play ART is “lightning in a bottle”, particularly for the men in the audience.

Australian theatre companies were early and enthusiastic adopters of Stoppard’s work, some of the most celebrated plays of the modern repertoire.

Toby Schmitz is in brilliant form in a role that demands the verbal facility of a performance poet as well as access to deep feeling.

Ex-Hamlets Brendan Cowell, Ewen Leslie and Toby Schmitz make merry with the concept of ‘lived experience’ in a comic exploration of actorly trauma.

Belvoir's Artistic Director Eamon Flack walks us through Season 2025, from "no -brainers" to "the biggest story on the planet right now".

Absorbing performances, genuinely surprising twists and a new ending for this classic Patrick Hamilton thriller.

A new Queensland Theatre production of Patrick Hamilton’s 1938 stage thriller shows us where this now-familiar term 'gaslight' originated.

Andrew Upton’s new version of The Seagull transplants Chekhov’s portrait of addled ambition and creative torpor into dry Australian soils.

Queensland Theatre’s 2024 season-opening production of the classic psychological thriller Gaslight to tour after its Brisbane debut.

Amadeus, Peter Shaffer’s best-known play, rings loudly and clearly in this new production that kicks off the Sydney Opera House’s 50th year. Loud and clear, but hollow.

Peter Evans discusses the company's new series of debates, its podcasts Speak the Speech, and the likely return of the Prince of Denmark next year.