In its Australian debut, the sax quartet, with violin, performs a seamless program of Bach, Weil and Gershwin, showcasing an exemplary sense of balance, clarity and tone.

Drawing upon his instincts as a composing musician, the Finnish piano virtuoso gives a masterful reading of Beethoven and Bach at Adelaide's UKARIA Cultural Centre.

Andrew Staples brings sensitive and eloquent interpretation to Britten's finest orchestral song cycles.

Strauss's songs were given an intoxicating performance by soprano Nicole Car, while Wagner's Ring without Words had some marvellous moments under conductor Nicholas Braithwaite.

Susan Tomes’ survey is authoritative, but with plenty of unexpected revelations.

Performed by Kristian Winther, Anna Pokorny and Konstantin Shamray, chamber recitals of this calibre are few and far between.

The final concert in this festival of women composers featured undiscovered gems deserving of a wider audience.

At times during this stunning recital, Gillham played with such intimacy it felt as if the audience was eavesdropping on an artist playing for his own pleasure.

Despite a few last-minute COVID upheavals, this unique festival showcased some ingenious programming, including two impressive new works by Andrew Ford and Anne Cawrse.

Stars align in Muti’s hard to be bettered Verdi Requiem.

Finally, this long overdue – and much delayed – revival of Richard Meale's grand opera confirms that it is indeed a masterpiece.

Norman’s refulgent Salome is the icing on Tennstedt’s Straussian cake.