Review: Berlin Harpsichord Concertos (Philippe Grisvard, Ensemble Diderot)
Back in the 18th century, Frederick the Great’s was clearly the court to beat.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Back in the 18th century, Frederick the Great’s was clearly the court to beat.
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