Review: Mythos (Konstantin Krimmel, Ammiel Bushakevitz)
German rising star has plenty of tales and tells them with aplomb.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
German rising star has plenty of tales and tells them with aplomb.
Over a 30-year career, Andreas Scholl’s voice has retained its remarkable beauty. He talks to us about his instrument and the road to fame.
In 2025, Mark Wigglesworth becomes Chief Conductor of the Adelaide Symphony Orchestra. He talks about his approach to conducting, and his passion for cricket.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Dibble’s magisterial biography gets a centenary update.
American trio goes Czech via Africa and a Swiss version of Ireland.
Folk-flecked piano trios, Elder’s Elgar, Jurowski’s Stravinsky, and orchestral songs from Magdalena Kožená and Stanford. This month’s releases are strikingly eclectic.
The hottest tickets in European opera, the razzle-dazzle of Broadway, and a Tchaikovsky trifecta coming to a screen near you.
Stanford’s orchestral songs brought thrillingly to life, with nary a whiff of the sea.
The great American composer discusses his gold rush opera and why he feels for others these days.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This month’s performance highlights from ABC Classic, independent radio and streaming.
John Adams conducts his Gold Rush opera, Janine Jansen thrills with Prokofiev and Sibelius, there are chamber music rarities and a new Gerontius on the block.