Andrew Goodwin corrals top line-up for Ukrainian relief concert
The Aussie tenor on the need for action and why Russian music mustn’t become a victim of politics.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
The Aussie tenor on the need for action and why Russian music mustn’t become a victim of politics.
From heroic vocals to inner vision, Nicky Spence’s Vaughan Williams has it all.
The great Romanian pianist who came to shun the recording studio passes at 76.
The British composer, creator of an uncompromising and unique sound world, passes at 87.
Flautist Joshua Batty explains why a fundraiser is so important right now, and what we can expect.
From Jazz Age pastiche to wartime propaganda, this is Walton at the top of his game.
Australian ensemble flies the flag at prestigious overseas event.
The in-demand violinist will depart Melbourne Symphony Orchestra to take up her new role.
Simon Stone creates a visceral Viennese Wozzeck for today.
Founder Fabian Russell looks back at 20 years of Australia's mentor-led training program.
Dark-hearted Polish gem sparkles in thoughtful staging.
Haunting adult fairy tale receives a multifaceted and powerfully moving production.
The Choir's Music Director talks about their latest album, Limelight's Recording of the Month for April.