On the Record: July 2022
This month, we lead with gripping string quartets from the greatest composer nobody knew for years, plus a century of outstanding music by women, both home and away.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
This month, we lead with gripping string quartets from the greatest composer nobody knew for years, plus a century of outstanding music by women, both home and away.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Elizabeth Lewis tells an extraordinary story and describes her collaboration with Brenton Broadstock.
Alex Gorbatov and Bailey Montgomery discuss the importance of LGBTQIA+ stories in classical music.
Vick and Wellber’s anti-Parsifal has much to say that needs saying.
Neuwirth bends more than just gender in her bold new Woolf work.
Wenhong Luo and William Vyvyan Murray talk all-things viola (and yes, there's the statuary joke).
Opera’s most dysfunctional of families gets searing staging and stellar vocals.
The Russian conductor talks to Clive Paget about how he fell in love with the music of Mahler as a schoolboy back in Leningrad in the 1950s.
The piano leads the field with front runners Mitsuko Uchida and Leif Ove Andsnes, but first an auspicious start to a brand new Mahler cycle.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The Spanish mezzo-soprano – one of the greatest of all Carmens – has passed at 89.
Handsome revival rescues opera unfairly consigned to Siberia.