Erin Helyard plans to resonate in South Australia
Pinchgut's AD talks about 'old' pianos and curating a multi-concert series at UKARIA, running over a long weekend, for the Adelaide Festival.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Pinchgut's AD talks about 'old' pianos and curating a multi-concert series at UKARIA, running over a long weekend, for the Adelaide Festival.
Holden rounds-up Glorious John in ten essays, the legendary ABC tours and all.
Market girl finds true love in Hahn’s homage to Second Empire Paris.
Lavish, and in high-end audio, a 70-disc set reminds us of the genius that was Jansons.
The Hungarian maestro discusses the musically and emotionally demanding Mahler and his sound world, and why he won’t conduct the Tenth.
The production that kick-started the French Baroque revival is back in style.
A compelling 20th-century rediscovery makes it to CD at last.
Grim and grisly, but with a sumptuous score, Franck’s operatic tragedy is a real find.
Patricia Kopatchinskaya and Sol Gabetta talk about our Recording of the Month, the scarcity of repertoire for cello and violin, and rethinking what concert performances could be.
Summer concert highlights from ABC Classic, independent radio and streaming.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
With two Recordings of the Month, a trio of American rediscoveries, operatic delights galore and the latest from the Kanneh-Masons, it’s a red-letter month on disc.
Meet the uniquely talented Icelandic pianist revitalising classical music.