Did you hear about Karl Muck’s decidedly bad war?
A pernicious bout of fake news landed the famous conductor in hot water and worse.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
A pernicious bout of fake news landed the famous conductor in hot water and worse.
Hilary Bell's smart libretto underpins an intriguing new opera about the first woman to run for president of the US.
The conductor tells us about recording his disc of Dove's orchestral music, Limelight's Recording of the Month in August.
The 19th century’s most romantic of Romantics was never short of an alter ego to embody his complex musical ideas. Ahead of performances of his ever-popular Piano Concerto, Clive Paget talks to Asher Fisch and asks will the real Robert Schumann please stand up?
New York's premier summer festival may not be mostly Mozart these days, but it sure has plenty to offer.
Harteros heads a Tosca that perhaps should have offended more.
Flórez helps explore Hofesh Shechter’s seven stages of grief.
The composer, best known for his vocal music, tells us about his orchestral writing, which is showcased in Limelight's Recording of the Month in August.
A multi-maestro line-up features seven new works by Australian composers and a Beethoven project to address climate change.
The 2020 season also includes Handel's Rinaldo plus concerts of Charpentier, Purcell, Monteverdi and Gabrieli.
As a musical, Baz Luhrmann's classic looks a surefire hit. Grab a ticket while you can can can!
Caught between wife and mother, the composer’s danse became macabre indeed.
The Canberra rising star conductor will continue his musical journey at the Peabody Institute in Baltimore.