Being a late-starter hasn’t deterred the talented Mr Northey
The in-demand Australian maestro talks about a life of the road and the importance of the message behind the music.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
The in-demand Australian maestro talks about a life of the road and the importance of the message behind the music.
Van Zweden's Wagner cycle goes from strength to strength.
New Managing Director Sophie Galaise is credited with returning the orchestra to surplus, despite the challenging times.
Ahead of her Australian tour, the Canadian pianist explains why communicating with audiences is vital.
Bonachela’s claustrophobic thriller scores a clear eight out of eight.
Auspicious start for new baroque kids on the block.
Greatest soundtrack ever saves musical thriller teetering into camp.
More pleasures as Goldners play Vasks and Dickson premieres Edwards.
Orkis and the Goldner and Elias Quartets open Festival with truly sublime chamber playing.
The SDC rising star discusses small towns, his inspiring Pre-Professional Year and how to handle boobs in your face.
A well-respected figure in the Australian arts scene, the Sydney Symphony Executive Director will join OA in August.
Competition Artistic Director Piers Lane praises the young Chinese pianist on his contract with Universal Music Australia.
The events of 1917 changed the course of history but Russian music has had more than its share of revolutions.