Review: The Hello Girls (Heart Strings Theatre Co & Hayes Theatre Co)
A crack cast of women animates the little known story of the women telephonists co-opted into the US war effort in 1917.
Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
A crack cast of women animates the little known story of the women telephonists co-opted into the US war effort in 1917.
The Sydney Festival gets off to a life-enhancing start with a work celebrating the wonder and resilience of the human spirit.
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