Review: AFTERWORLD (Dino Dimitriadis & Sydney Festival)
The recent death of Eileen Kramer, aged 110, adds further poignancy to a contemporary dance work inspired by ancient myth.
Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
The recent death of Eileen Kramer, aged 110, adds further poignancy to a contemporary dance work inspired by ancient myth.
Joy and wonder among the fun and laughter in Opera Australia's fairytale 2025 season opener.
Though there are signs of belt-tightening, there's plenty to look forward to and anniversaries to celebrate in the Australian arts in 2025.
What do our opera and dance companies have on offer in the year ahead?
Elegance in spades, but little electricity between the leads in this Shanghai Ballet showcase choreographed by Briton Derek Deane.
It's time to pull the 'cracker, with Tchaikovsky, the art of classical dance and a swag of gorgeous tutus lighting up the revival of Peter Wright’s production.
Rising star Tra Mi Dinh makes the hit of the night in a trio of new contemporary dance works.
A new opera about Las Vegas’s famous magic duo, Siegfried & Roy, has its world premiere at the Sydney Festival.
Two terrific scores, one with onstage string quartet, are the bedrock of Sydney Dance Company’s new double bill.
The audience is a crucial element in the ACO’s collaboration with Sydney Dance Company and celebrated countertenor Iestyn Davies.
As her work about Coco Chanel heads to Brisbane, Annabelle Lopez Ochoa discusses her passion for creating ballets about history-making women.
Ahead of a return season of Lin-Manuel Miranda’s In the Heights, Ryan González talks about finding their place in the spotlight.
A new Nick Wales score puts the momentum into Sydney Dance Company's visually spare, aurally rich momenta.