Director Rosetta Cucchi’s striking conception and a surprise role debut made Francesco Cilea’s Adriana Lecouvreur an unmissable theatrical event.

The ooh-ah factor is sky-high even if the show’s conceptual underpinnings of The Mirror don’t last the distance.

The return of Bangarra’s emerging choreographer program offers opportunities and mentorship for the next generation of Indigenous artists.

Meryl Tankard’s Kairos proves easy to watch and to listen to but its full meaning remains elusive.

In its quiet, gentle way, Sun & Sea is a work of genius that will linger long in the memory.

Mary Finsterer's heart-stoppingly beautiful new opera is endlessly absorbing, sonically and visually.

Fresh sounds, big events, little gems, cross-genre collaborations, world premieres; it’s a new world for arts organisations, so what do they have in store this year?

What do our opera and dance companies have on offer in the year ahead?

Sydney Dance Company’s ninth annual season of new contemporary dance works is one of the most satisfying yet.

Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.

A Christmas Carol has become a yuletide tradition. We explore its magic with the creative artists behind the various adaptations that are about to grace our stages.

Heather Mitchell gives a magnificent performance in Suzie Miller's one-woman play about Ruth Bader Ginsburg, highlighting the play's strengths and smoothing its bumps.