A Christmas Carol has become a yuletide tradition. We explore its magic with the creative artists behind the various adaptations that are about to grace our stages.

Heather Mitchell gives a magnificent performance in Suzie Miller's one-woman play about Ruth Bader Ginsburg, highlighting the play's strengths and smoothing its bumps.

New works by Stephanie Lake and Rafael Bonachela, along with a recent Bonachela favourite go for gold.

The new Artistic Director of Australian Dance Theatre, Daniel Riley, is returning the company to first principles, with big, but local, thinking.

Radical staging and a brilliant new version of the score elevate Frank Wildhorn’s popular musical, produced professionally in a fully staged version for the first time in Australia.

Two wildly different, inventive stage adaptations, running concurrently in Sydney, are replacing Jekyll and Hyde's simplistic dichotomy with something far more complex.

A powerful new production of Verdi’s drama of revenge is crowned by stirring music-making.

Composer Frank Wildhorn and producer Joshua Robson discuss why the story of the famous bank robbers touches a nerve and why audiences root for them.

Rafael Bonachela’s monumental work from 2018 returns with mostly new dancers but the same impact.

"I’m still pinching myself," says Lake as her career hits top gear with her latest work, Manifesto.

A new dance entertainment choreographed by Amy Campbell has megawatts of energy but insufficient focus.

Our specialist writers analyse the arts on offer across the year.