It Takes Two
Directors Shannon Burns and Patrick Nolan lift the curtains on their new productions of the fairy-tale musical Into the Woods for two of our opera companies.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and a regular contributor of features and reviews at Limelight.
Directors Shannon Burns and Patrick Nolan lift the curtains on their new productions of the fairy-tale musical Into the Woods for two of our opera companies.
Ahead of their upcoming tour, Dutch piano duo Lucas & Arthur Jussen tell Jansson J. Antmann how brotherly love sustains them on the road.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This month’s performance highlights from ABC Classic, independent radio and streaming.
In director Graeme Murphy and conductor Vanessa Scammell’s hands, Lehár’s operetta reveals a very human heartbeat beneath all the froth.
Deft choices do justice to Brahms’ very “human” requiem. What more could one ask for?
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The English tenor reveals his true colours and it’s a glorious palette to behold.
Ahead of his tour with the Australian Brandenburg Orchestra, Italian baritone Renato Dolcini reflects on his passion for Baroque music and his collaboration with William Christie.
Ahead of her title-role debut in Opera Australia’s The Merry Widow, soprano Emma Pearson tells us why operetta deserves pride of place alongside opera.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This mini-festival of short works underlines the merits of OA’s Young Artist Program and the career-readiness of its graduates.
John Cranko’s evergreen masterpiece proves the perfect vehicle for Callum Linnane’s final performances with The Australian Ballet.