Review: Possession (Qtopia Sydney)
When it comes to keeping opera relevant, small-scale gems like this do much of the heavy lifting.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and acting Deputy Editor at Limelight, where he is an ongoing contributor.
When it comes to keeping opera relevant, small-scale gems like this do much of the heavy lifting.
Elijah Moshinsky’s iconic production still works its magic, with stunning voices and a sublime reading of the score by maestro Tahu Matheson.
Evocative melodies, immersive soundscapes and flawless technique keep the audience rapt and on its feet.
The third chapter in Davide Di Giovanni’s car-park series is a paragon of tactical urbanism and contemporary dance.
In a triumphant homecoming, soprano Rebecca Nash reinvents Turandot for Ann Yee's centenary production.
Opera Australia begins its 70th anniversary with the jewel in its crown restored and a musical reading to match.
Accompanied by some of the world’s best acrobats, Alice’s journey down the rabbit hole is bound to thrill the young and young-at-heart.
Ahead of his 2026 tour, the hugely popular classical composer talks about his deep connection to Sydney's Eastern Suburbs and reveals how he paints with music.
Our team of expert writers explores the challenges, themes and highlights in the year ahead for arts companies.
What do our festivals have on offer in the year ahead?
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
With a high degree of difficulty, the inaugural cohort of OA’s revitalised Young Artist Program more than prove they are ready for their mainstage debuts.
Peter Sellars and Julia Bullock talk collaboration ahead of the Adelaide Festival run of Perle Noire: Meditations for Joséphine.