New venue for Melbourne Recital Centre
A "storage space with the best views of Melbourne” will be converted into The Beacon, an intimate venue for cabaret, musical theatre, jazz and First Nations storytelling.
Jason joined the Limelight team in early 2023 as Digital Editor. He has served as Arts Editor of Sydney City Hub, editor of AUSTAR magazine, an online producer at Fairfax, and has reviewed theatre for The Sun-Herald (2006-2009), The Sydney Morning Herald (2009-2017), The Saturday Paper and Guardian Australia. He was co-founder/co-editor of the audreyjournal platform from 2017–22 and Publications Manager for the 2022 Sydney Film Festival.
A "storage space with the best views of Melbourne” will be converted into The Beacon, an intimate venue for cabaret, musical theatre, jazz and First Nations storytelling.
Five young talents selected to receive specialist mentoring in Historically Informed Performance.
Best known for his leadership of the Australian Music Centre, John Davis is honoured for his pivotal role in shaping the contemporary music landscape.
Melanie Tait named the recipient of the award established in 2024 to support mid-career writers.
Roberts was a formidable cultural leader who insisted that Indigenous stories be seen, heard and celebrated at the centre of Australian life.
This month’s performance highlights from ABC Classic, independent radio and streaming.
This film about John Davidson, who lives with Tourette’s, is compassionate, moving and very funny.
Australia’s largest singing celebration broadens its musical scope and expands its statewide footprint.
MEAA says "musicians must not be seen as optional extras"; WA Ballet says union claims are "simply wrong".
Beetlejuice, Victorian Opera's Katya Kabanova and MTC's Rebecca among the award magnets in this year's celebration of Melbourne’s live performance sector.
Chee recognised for being “an integral part of WASO’s artistic life” for more than a decade.
You don’t have to be born into flamenco says Paco Peña. “What matters is how close you get, how deeply you receive it."
Dueñas says she's come to understand that playing Bruch's Violin Concerto "is less about showing how much I feel and more about knowing what to leave unsaid."