National Cultural Policy: arts sector reaction
“The possibility of genuine cultural and artistic thriving.” Arts sector leaders respond to the release of the National Cultural Policy.
Jason joined the Limelight team in early 2023 as Digital Editor. He has served as Arts Editor of Sydney City Hub, editor of AUSTAR magazine, an online producer at Fairfax, and has reviewed theatre for The Sun-Herald (2006-2009), The Sydney Morning Herald (2009-2017), The Saturday Paper and Guardian Australia. He was co-founder/co-editor of the audreyjournal platform from 2017–22 and Publications Manager for the 2022 Sydney Film Festival.
“The possibility of genuine cultural and artistic thriving.” Arts sector leaders respond to the release of the National Cultural Policy.
Sydney violinist Harry Ward has secured a position among the first violins of the Berlin Philharmonic Orchestra.
The Labor government's much-anticipated National Cultural Policy introduces a raft of sweeping organisational changes and new funding initiatives.
UK playwright Sabrina Mahfouz’s monologue Chef had its Sydney premiere on this stage a year ago. Second helpings are very much in order.
Europa! Europa returns to Australia for its second year with a festival of 29 films from 24 countries.
A number of prominent figures in music, film and theatre have been recognised in the Australia Day 2023 Honours.
Blanchett's turn in TÁR elevates the Australian actor into the elite rank of octo-nominees such as Marlon Brando and Glenn Close.
Hobart's Dark Mofo to present "the most incredibly wild theatre performance" in its 10-year history.
Conductor Natalie Murray Beale talks to Limelight about teaching Cate Blanchett to wield the baton in TÁR and the film's potential to provoke.
History repeats as Belvoir tops a Sydney Theatre Awards ceremony celebrating a year in which normal service resumed.
Winner of the Grand Prix at Cannes 2022, Lukas Dhont’s Close depicts a friendship broken by new peer groups and emerging social pressures.
Ensemble Offspring's Avant Gardens series takes musicians and their audiences out of the recital hall and into suburban backyards.
Anthony Weigh's play breathes imaginative life into the story of Sunday Reed and the Heide circle.