Jessica Gethin appointed Principal Conductor of West Australian Ballet
Jessica Gethin’s acceptance of the leadership position adds to a long list of recent milestones and accolades.
Jason joined the Limelight team in early 2023 as Digital Editor. He has served as Arts Editor of Sydney City Hub, editor of AUSTAR magazine, an online producer at Fairfax, and has reviewed theatre for The Sun-Herald (2006-2009), The Sydney Morning Herald (2009-2017), The Saturday Paper and Guardian Australia. He was co-founder/co-editor of the audreyjournal platform from 2017–22 and Publications Manager for the 2022 Sydney Film Festival.
Jessica Gethin’s acceptance of the leadership position adds to a long list of recent milestones and accolades.
Carriageworks has appointed Fergus Linehan as its next Chief Executive Officer.
An "innovative and compelling opera" based on the true story of American slavery collects the prestigious music award.
Canberra-based institutions, the national broadcasters and arts training institutions among the winners in the 2023-24 federal budget.
Featuring Frances Rings and Alma Moodie, Ross Edwards and Raf Bonachela, this month's magazine is a jam-packed winter warmer.
Thea von Harbou’s vertiginous depiction of a world run by corporations re-engineered into a satisfying – if not entirely moving – chamber musical.
Menahem Pressler, the world-renowned pianist and founding member of the Beaux Arts Trio, has died in London at the age of 99.
Whiplash camera moves and masterful control of pace make for an engrossing – if stressful – procedural based on real events.
Melody Eötvös to write a work for the Quercus Trio inspired by the metaphor of the oak tree.
Australian theatre companies generally take negative reviews on the chin. But some criticism cuts too deep, it seems.
Two Stephen Sondheim shows and the star of Australian writer Suzie Miller's Prima Facie in the running for awards on theatre's "night of nights".
Thanks to a new 3D animation, theatre fans can take a fly-through tour of Newcastle’s Victoria Theatre as it was in 1891.
Over the past decade, only 5% of incoming jazz instrumentalists at Sydney Con have been women. Jo Lawry is out to change that – and more.