Elizabeth Debicki shines on the London stage
The Australian actor has won warm praise for her “enigmatic” performance in David Hare’s new play The Red Barn.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
The Australian actor has won warm praise for her “enigmatic” performance in David Hare’s new play The Red Barn.
The prestigious international ballet competition returns to Australia where our own Steven McRae won Gold in 2002.
In Lee Hall’s play with songs, six Catholic schoolgirls sing like angels but swear, drink and shag like there’s no tomorrow. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★½ Extraordinarily powerful theatre that feels urgent and timely, yet timeless.
Acclaimed composer and musician Catherine (Cat) Hope is appointed Head of the Sir Zelman Cowen School of Music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The staging is ingenious but the play itself is disappointingly slight.
Guerin creates an intriguing world of shadows and light with a sinister beauty.
A photographic portrait of the Australian Ballet chief, inspired by Matisse’s Dance, was unveiled in Canberra today.
World first research exposes alarming findings regarding the mental health of Australian entertainment industry workers.
Meet the Melbourne Festival director who likes making a noise and a mess (as long as someone cleans it up afterwards). Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Glass’s opera for ensemble and film is hypnotic start to Festival’s opening weekend.
For Rhoda Roberts, SOH Head of Indigenous Programming, Homeground is an experience all Australians can share.
The Canadian company brings a unique form of contemporary dance to this month’s Melbourne Festival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in