Review: Tim Minchin – First at the Foundry (Naval Enterprises)
Who better to open a new venue than this brilliant all-round entertainer, who has his audience in stitches and close to tears.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Who better to open a new venue than this brilliant all-round entertainer, who has his audience in stitches and close to tears.
In her new cabaret show, Rachael Beck celebrates 16 high-achieving Australian women, each with an inspiring story to tell.
Christie Whelan Browne holds us in the palm of her hand in her hilarious yet moving, warts-and-all autobiographical cabaret.
Despite some strong storytelling and a terrific cast, this condensed musical adaptation of Tolkien's epic novel feels "Bagginsy".
If you feel that you need a little Christmas, this is the show for you. Leave any cynicism at the door, and Buddy the Elf will help raise your festive spirits.
Though there are signs of belt-tightening, there's plenty to look forward to and anniversaries to celebrate in the Australian arts in 2025.
What musicals are on offer in 2025?
After The Mousetrap, Robyn Nevin is directing And Then There Were None. She shares why she agreed to stage another Agatha Christie play.
This month’s performance highlights from ABC Classic, independent radio and streaming.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A slight but sweet show, which demands stellar performances and plenty of razzle-dazzle to offset its limitations.
Are you partial to cruising? Do you love the performing arts? Then why not combine the two? Jo Litson embarks on the BRAVO Cruise of Performing Arts.
Stuart Maunder will fulfil a bucket list dream when he directs Sondheim and James Goldman's Follies for Victorian Opera. He tells Jo Litson why the musical is so special, and challenging.